To A Flame (2024) was created with the intention to bring a new perspective and awareness to queer toxic relationships and the struggles of an underrepresented issue that has had a personal effect on me. The peace poses a juxtaposition of two conflicting characters In a relationship, Alex and Daniel. The primary character, Alex, grows in his comprehension of power, validation and value through his journey in directing a Body-Horror film. As his growth, in many ways, fulfills him as an individual, the changes pose as a threat to his relationship as he becomes increasingly aware of its toxicity.
This mystery unwinds to be an exhilarating and profound story of self discovery. Our protagonist, Frankie, a mid teen boy, stumbles across the corpse of a fox in the middle of the
night on his group’s camping trip over the easter break. No leaders to be found for help and by sunrise there’s no evidence of the fox at all. Frankie sets off on discovering the true meaning of that nights events, triggering a series of mishaps that lead to his world changing forever. With settings and tone Inspired by media such as Moonrise Kingdom and Stranger Things, we aim to produce a wholy original project that has its own identity and themes that we know will grip and engage all audiences. So join us on our trip through ‘A Field of Wild Foxgloves.’
A lonely female student is revealed to have an unhealthy obsession with a fellow student as shown by subtleties in a lecture, this obsession is supported by an eerie box of keepsakes and relics that has been collected over a time and is frequently added to. On a day like any other she discovers a missing person's report affiliated with the student she is obsessed with. This news sends a once mundane lifeless woman into a frenzy of emotion. A search party is seen to be taking place with all members a metre apart sifting through a forest, this search party is seen closing in on the protagonist. Scared the box of relics will incriminate her she franticly searches for it in her room. Once retrieved the protagonist is seen entering a forest to discard of the box while giving it a ritualistic ceremony to say farewell. Once the box has been somewhat buried and left in such a way that it wants to be found. The protagonist is then seen to be back in the lecture hall on a new day with the absence of her obsession looming and facial expressions indicating relief and pleasure. Is she guilty?
©Copyright. All rights reserved.
We need your consent to load the translations
We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.